Liveness: Performance in a Mediatized Culture Second Edition by Phili Auslander

Liveness: Performance in a Mediatized Culture  Second Edition



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Liveness: Performance in a Mediatized Culture Second Edition Phili Auslander ebook
Page: 208
Format: pdf
Publisher:
ISBN: 0415773520, 9780415773522


'The book offers a meticulously developed argument… Liveness: Performance in a Mediatized Culture addresses what may be the single most important question facing all kinds of performance today. Liveness: Performance in a Mediatized Culture addresses what may be the single most important question facing all kinds of performance today. Donald Crafton's interdisciplinary methods draw on film and theater studies, art history, aesthetics, cultural studies, and performance studies to outline a personal view of animated cinema that illuminates its systems of belief and world making. The opposition of media and live performance, as Philip Auslander addresses in his book Liveness: Performance in a Mediatized Culture, is no longer a distinct one. His most recent books are Performing Glam Rock: Gender and Theatricality in Popular Music (2006) and the second edition of Liveness: Performance in a Mediatized Culture (2008). A recurring claim in the book is the idea that music is primarily an emotional experience. "Seeing is Believing," Liveness: Performance in a Mediatized Culture. Liveness: Performance in a Mediatized Culture Second Edition by Phili Auslander. Liveness: Performance in a Mediatized Culture Second Edition. In Levitin's emphasis on emotion and his bias against automation, the discourse and ideology of Romanticism informs the premises and some of the specific arguments of this book. What is the A second edition of this book was published in 2008. Liveness: Performance in a Mediatized Culture. I have typed the following passage myself, so any misspellings should be solely indebted to my excited hands. More Brilliant Than the Sun: Adventures in Sonic Fiction. And courtroom procedures and is the author of five books, including Performing Glam Rock: Gender and Theatricality in Popular Music (2006) and the second edition of Liveness: Performance in a Mediatized Culture (2008). What is the status of live performance in a culture dominated by mass media?

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